Tag Archive for 'Press'

from the New York Times : The Moth and the Firefly

As published in the New York Times, from “A Year After the Big Blackout, a Film Festival Flickers to Life” by MELENA Z. RYZIK (Published: August 13, 2004)

Aron Epstein and Daniel Stedman had to create a blackbox, blocking out light, to house their actors.

Luckily, their actors are not very big. Mr. Epstein, 25, and Mr. Stedman, 26, are cousins and co-directors of ”The Moth and the Firefly,” a four-minute film about a moth who becomes attracted to a firefly after the blackout robs the moth of its beloved light source.

As with any epic, casting the hero was the main problem. ”We found that there were plenty of fireflies in Prospect Park and Central Park, but there were very few moths,” Mr. Epstein said. They contacted an entomologist at North Carolina State University, who sent them some packets of moth larvae, which hatched in a cheesecloth covered bucket in Mr. Stedman’s Brooklyn apartment.

”It was actually ideal because we had 25 duplicate moths,” Mr. Epstein said. (Hollywood’s dream come true.)

Best American Short – New York / Avignon Film Festival

APRIL 21 – BEST AMERICAN SHORT – NEW YORK/AVIGNON FILM FESTIVAL

Daniel Stedman won his second major award, The 21st Century Filmmaker Award for Best American Short at the Avignon/New York Film Festival. He was bestowed with prizes totaling $10,000 from Panavision, DuArt, LTV Laser Subtitling, The New York Observer, Cineric, The Tribeca Film Center, and Kodak. He also received the prestigious “Roger” statuette created by sculptor James Knowles to symbolize independence and creativity, and a Kodak Vision Award.

Celebration Review – Montreal Mirror

A Different Celebration

Daniel Stedman’s short is invited to the prestigious Berlin Film Fest

by MATTHEW HAYS

Montreal Mirror, January 31, 2002

Typically, short films get the short end of the deal in terms of getting seen. They occasionally appear on TV. They should be featured much more frequently as openers for feature films (instead we’re usually inundated with wretched ads). As a result, lively, funny short films often simply don’t get the attention they deserve.

Local filmmaker Daniel Stedman is getting a great shot in the arm in response to his latest four-minute short, Celebration. The film, coproduced by Thomas Haydn of DeZember Productions, has just been invited to premiere at the prestigious Berlin Film Festival early in February.

Stedman, 23, says he made Celebration because he wanted to explore ideas surrounding “finding your identity.” The film has a young, unnamed lad, looking no more than six years old, stepping out in front of a crowd at a bar-mitzvah-esque celebration. He stutters at the microphone, barely able to cough up the words he feels he must say, but eventually does: “I… I am… I am a homosexual.”

It’s a quirky little film, but it packs a wallop, toying with our expectations. “I spent two years working on the script,” reports Stedman, “and it’s only four pages long. But I really wanted to open questions up to the audience, rather than answering things for them. For me, the film is about the tragedy of having to find labels for ourselves. Then, you’re judged critically for those labels.”

For Stedman, the idea of ritual was crucial to the film. “I was thinking about certain rites of passage for young people. And definitely, bar mitzvahs came to mind. But the film really is more about labels.”

Stedman’s surreal and abstract treatment of his material does mean the project is open to interpretation. I read the film as deeply ironic, seeing as the crowd collected at the celebration responds so positively to the child’s coming out (something that doesn’t usually happen in real life). “I can see that interpretation,” says Stedman, who’s not gay himself. “I wanted the film to be both beautiful and tragic, a film about the struggle of identity.”

Though Celebration is having its world premiere in Berlin, Haydn reports the film has now confirmed its North American premiere for the Toronto International Film Festival in September.

“I’m really psyched about Berlin,” says Stedman, who will accompany his film there for its Feb. 6 debut. And Stedman, who originally heralds from Maine, credits a lot of the film’s success to Montreal’s industry atmosphere.

“There’s a great deal more support for the arts here,” he says. “There’s a lot of opportunity. Montreal is a great place to work in film. Canada, generally, is far more supportive of the arts.”




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